#4Used in Hughes’ 1898 article “Women Composers” in The Century Magazine (775) where the photographer is listed as A. Marshall. Also in an article in the Home Journal dated Saturday, May 7. 1898, and, with a somewhat different signature, in the 1894 Half Hours With the Best Composers.
#5 New England Home Magazine, January 22, 1898.
Minneapolis Journal, July 30, 1898.
The Puritan, August 1898, Vol. III, No. 5, 177. (Have original)
Hughes, Contemporary American Composers, 1900, facing 432.
Elson, Women’s Work In Music, 1903, facing 202.
Hughes and Elson, American Composers, New revised Edition. 1914, facing 520.
A slightly different pose featuring hands held together was used in Mathews, The Great In Music, 1900, 278.
#6From “A Group of American Composers” including D. M. Levett (upper left), Mrs. H. H. A. Beach (upper right), Homer N. Bartlett (middle), Louis E. Dressler (lower right), and MRL (lower left). No source.
Used in the book “Women in Music and Law” by Florence E. Sutro, 1895. Courtesy of the Trustees of the Boston Public Library/Rare Books.
Arthur Schmidt Catalog entitled “Women’s Work in Music” (c. 1901) which gave a short biography, and listed her piano pieces and songs available together with their prices. Courtesy of the Trustees of the Boston Public Library/Rare Books.
#8Elson, History of American Music, 1904, 296. Boston Evening News, Saturday, January 16, 1904.
Lewiston Maine Journal, February 11, 1905.
Musical America, June 19, 1909 (has autograph).
Etude, July 1909 cover. Other photos were of St. Cecilia, Clara Schumann,Mrs. Beach, Lisa Lehmann,Teresa Carreno, Mathilde Marchese, Cecile Chaminade, Mme. Bloomfield-Zeisler, and Mme. Guy D’Hardelot.
Christian Science Monitor, March 25, 1911.
Western Musical Herald, May 1911.
From “The Universal Library of Music” published in 1913. This is a reprint of “Half Hours With the Best Composers” published in 1894: both were edited by Karl Klauser. The 1894 edition used an earlier photo. Discovered by Dr. Lucy Mauro.
Photo from an article “Criticism of Noted Father Moulded Musical Art of Margaret Ruthven Lang” in the Boston Evening Record of March 9, 1915. Courtesy of the Trustees of the Boston Public Library/Rare Books.
From the same period as #14. Johnston Collection.
#17 Etude, June 1935. One of 44 photos on a page entitled “The Etude Historical Musical Portrait Series.” B. J.’s photo also appeared. This pose had also been used on page 42 of Two Centuries of American Musical Composition, an Etude Music Magazine Souvenir of the Sesqui-Centennial in 1926 of American Independence; she is third row, second from left and B. J. is second row, first on the right. Thanks to John D. Howard for this information. (Oct. 2018)
This image appears in a chapter covering the years 1891-92. However, the darker beard and more hair would seem to place it much earlier. Bradbury, History of the Handel and Haydn Society, 1890-1897, between pages 24 and 25.
#26 B. J. reading a score at the keyboard. Amy DuBois Collection.
Winslow Homer (United States, 1836-1910)
Benjamin Johnson Lang (1837-1909), April 19, 1895.
Graphite on paper, 16 x 13 3/8 inches
Portland Museum of Art, Maine. Gift of William D. Hamill, 1991.19.3. Reproduced by permission. Can not be downloaded without a fee to the Portland Museum.
Apollo Club-25th. Anniversary Concert, May 6, 1896.
Courtesy of the Trustees of the Boston Public Library/Rare Books.
Elson, The History of American Music, 1904, 258.I have a print saying this was first published by The Macmillan Company in 1904.
Thompson, Life of Ethelbert Nevin, 1913, 27.
FRANCES MORSE (BURRAGE) LANG. December 18, 1839-October 15, 1934.
In an application for a passport dated May 5, 1866, Frances is described as: Height-5 feet, Forehead-medium, Eyes-gray, Nose-regular, Mouth-medium, Chin-round, Hair-brown, Complexion-light, and Face-regular. Frances signed her name as “Mrs. Fanny M. Lang.” Her friend, Annie B. Keep signed as the witness.
Frances, c. 1922. Amy DuBois Collection.